under their mononym, ọmọlolú, makes sonic ritual works that explore recovery, becoming, and breaking into affirming possibilities. Through looping, harmonization, field recordings, instrumentation, and sampling, they explore the power of repetition, mantra-making, and collective breathing as ways to propel those who listen through the cycles and deepening of our becoming. They released their debut EP, “laiii 222 rest ooo: blx ancestral sonix salves” in 2020 on Don Giovonni Records. Their forthcoming debut album will be released in March 2026.

the only way is thr(u)

“the only way is thr(u)” lights a candle to the courage it takes to make oneself k(new). Written over 5 years between New York City and her hometown in Newark, Delaware, ọmọlolú's debut album explores the process of recovery from systems, spaces, and ways of being that no longer serve one, and works through how to excavate and affirm a sense of self rooted in trust and belief. The album thinks about recovery as a continual process of finding yourself again and again. “SHATTER ME,” the second single, samples prolific poet Audre Lorde’s, “A Litany for Survival” and is anchored by a refrain of the poem’s poignant line, “seeking a now that can breed futures.” This refrain shines as the album’s north star, concerned with exploring how we break open portals of possibility that bring us in touch with more liberating realities/senses of self and reject western, colonial conceptions of time/space/self that trap one in a linear/(or non-existent) sense of becoming. ọmọlolú shares that,

“the only way is thr(u) embraces Black, queer senses of space/time that hold the past, present, and future in active relationship to each other. My debut album taps into a tensed relationality of being: I/we have existed, I/we exist, I/we will continue to exist, holding the presence of ancestors, and the breath that flows within us now, as proof of Black queer futures, presence, befores, and coming afters.”

“the only way is thr(u)” takes you on a redemptive journey filled with lush harmony, field recordings of creek life and nature, lulling guitar, samples of Black Feminist Ancestors, rhythmic breaks, and mantra-informed prose. ọmọlolú shares,

“In the album’s songs, repetition is used as a grounding tool to re-route one's system by asserting new, more affirming beliefs of self and what is possible that one is coming into. Harmonies resound a call to collective power and echo the ancestral and communal support that is available in moments of transformation and alchemization.”

“the only way is thr(u)” is a soothing balm in rupturing times meant to attune one to the depths of their unique possibility that, when reverberated out, connects one to the collective force of what can be done (and undone).

✨ Thank you to sonic powerhouse canteenkilla who co-produced multiple tracks on the album. 

laiii 222 rest ooo: blx ancestral sonix salves

laiii 222 rest ooo : blx ancestral sonix salvesis medicine made for this moment Black grief-stricken, pandemic-ridden isolation. It triangulates three points that ground me in the healing depths of Black sound by honoring my Yoruba, my Sotho-Tswana and my blx African ancestors in America. laiii 222 rest ooo excavates, celebrates, and reverberates three essential truths:
1) blx sonix healIN be an ancestral rite...
2) to pass thr(u) the grief of capture uuu must BE guided, uuu must BE moved, uuu must BE provoked...
3) blx sound revives spirit: blx sound moves, blx sound guides, blx sound provokes...
This ep is ancestral blx medicine meant to move, guide and provoke blx breath. It is in the school of sista docta Alexis Pauline Gumbs and Sangodare’s, “Black feminist breathing chorus” -- it is a breath re-alignment tool.
so as uuu listen...
BE ooo in ur breaths ooo...BE ooo in ur cries...BE ooo in ur gasps...BE ooo in ur sites/sights/cites...BE ooo in ur shrieks ooo...BE ooo in ur gusts of pleasureFILLED release ooo...uuu deserve ease blx folx.
we deserve ease ooo...

credits

released October 16, 2020 on Don Giovoni Records